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WARHOL, ANDY (1928-1987) Two uncut photobooth self-portraits of Warhol in a tuxedo and bowtie.


  • Notes: From Fred Hughes, Warhol's manager; to the present owner.
    The photo booth sits at the uneasy, kinetic intersection of intimate and theatrical space. Each take allows the sitter to adopt a persona behind a private curtain, but results in a printed, very nearly paparazzi-style strip of images. Built for mass entertainment, the photo booth is, in a certain sense, a precursor to online social media in its satisfying blend of the personal and public.

    In 1963 Harper's Bazaar commissioned Andy Warhol to make a layout, and the artist turned to the photo booth, launching what would be a decade-long interest in the format. In the photo booth, Warhol took portraits of his friends, celebrities, and members of the Factory, creating a model for his insta-celebrity, repetitive, contemporary aesthetic.

    In this pair of self-portraits Warhol stares at the viewer impassively, but impeccably dressed. He does not inhabit the celebrated flamboyant Warhol persona-in fact he appears nearly strenuously straight-faced. But the subtle eye-shift between frames catches the artist looking, reacting to the flash and click.

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April 18, 2013 1:30 PM EDT
New York, NY, US

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