MASTER DRAWINGS

501: RINALDO MANTOVANO (DOMENICO RINALDO) (Mantua, early 16th century) A Seated Shepherd with a Crook.

502: BERNARDO PARENTINO (ATTRIBUTED TO) (Porec 1450-1500 Vicenza) Study of a Standing Male Nude * Study of a Standing Female Nude.

503: FILIPPINO LIPPI (CIRCLE OF) (Prato 1457-1504 Florence) Dancing Youth with a Scarf-like Drapery.

504: ITALIAN SCHOOL, 16TH CENTURY A Young Standing Male Nude.

505: FRANCESCO DI GIORGIO MARTINI AND WORKSHOP (Siena 1439-1502 Siena) Two drawings of machinery.

506: VENETIAN SCHOOL, 16TH CENTURY A Knight in Armor with a Page.

507: RAFFAELLO SANZIO DA URBINO (FOLLOWER OF) (Urbino 1483-1520 Rome) Study of a Female Head in Profile Looking Left.

508: GAUDENZIO FERRARI (Piedmont 1475-1546 Milan) The Mystic Marriage of St. Catherine.

509: ITALIAN SCHOOL, 16TH CENTURY The Virgin and Child and St. John the Baptist among Classical Ruins.

510: FRANCESCO GRANACCI (Florence 1469-1543 Florence) St. Stephen Exorcising a Demon.

511: DOMENICO BECCAFUMI (CIRCLE OF) (Montaperti 1486-1551 Siena) The Reconciliation of Marcus Emilius Lepidus and Fulvius Flaccus.

512: LUZIO LUZZI, CALLED LUZIO ROMANO (Todi, active 1519-1582) The Battle of the Amazons.

513: ITALIAN SCHOOL, 16TH CENTURY A Study for a Fresco Decoration with Seated Nudes and Putti Holding Garlands along with Framed Spaces for

514: BARTOLOMEO PASSAROTTI (ATTRIBUTED TO) (Bologna 1529-1592 Rome) Pietà with Two Kneeling Monks in a Landscape.

515: GIORGIO VASARI (Arezzo 1511-1574 Florence) Saints Luke, Blaise and Dominic.

516: GIROLAMO MAZZOLA BEDOLI (ATTRIBUTED TO) (Parma circa 1500-1569 Parma) Seated Virgin and Child.

517: LUCA CAMBIASO (CIRCLE OF) (Moneglia 1527-1585 Madrid) Christ and the Woman of Samaria at the Well.

518: LUCA CAMBIASO (CIRCLE OF) (Moneglia 1527-1585 Madrid) A Group of Seven Dancing Putti.

519: FEDERICO ZUCCARO (Sant'Angelo in Vado 1540/1-1609 Ancona) Bust-length Portrait of a Young Man in Profile, looking left.

520: ANNIBALE CARRACCI (CIRCLE OF) (Bologna 1560-1609 Rome) Seated Male Nude, with Arm Raised.